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Posts Tagged ‘GE ~ Good Ending 52’

Series Roundup: 9/26 – 10/2

Mini-reviews for all the series without full individual posts.

Air Gear 289

[scanlation by SSA Scanlations]

We’re actually kinda supposed to root for Sarome? That’s helpful; I was doing so anyway. Anything to get Onigiri out of the picture.

He still won. Sarome disrobing herself was just fanservice after all, and not ridiculous Oh!Great logic.

Once again, I have no attachment to Sarome, so seeing her scrapped (then later saved) does nothing for me. Authors shouldn’t attempt to place emotional importance on brand new characters.

Even more Onigiri fighting? Surely he’ll lose this next one, but having to read more of him is tiresome.

Code:Breaker 105

[scanlation by ShinraTensei]

That’s a pretty weak flashback. Yuuki deserved a stronger driving force in his past than this.

“[The fight is] merely starting” — and all variations of that phrase — is too overused to seem cool, even if I care about these characters and this situation.

I appreciate that Yuuki’s last resort isn’t intended to kill Ogami, but instead to give Ogami his remaining power, but Yuuki dying here feels cheap.

Thankfully, Sakurakouji is here to stop him. I sometimes tire of her preaching, but I’ll tolerate it here if it means Yuuki lives.

Morse code? Yuuki’s comatose friend just happens to know Morse code and have a telegraph. Ridiculous.

D.Gray-man 199

[scanlation by Binktopia]

Wait, I just barely understand why Alma is exploding, but why is Kanda crumbling? I need CliffsNotes for this series.

This just in: Alma is a girl. … sort of. There might be some kind of bizarre pseudo-reincarnation stuff going on here. I have no idea.

Alma turns into a giant-living-bubble-statue-thing, Kanda is somehow still alive, the Earl and the Noahs get wrapped up in something (literally), and Allen uses the Ark to teleport Alma and Kanda away somewhere to supposed safety. Did I get that right? I seriously can’t follow what’s going on. I promise that I’m trying, but I can’t really analyze and evaluate something that makes absolutely no sense to me. The one thing I take away from this is that Allen can freely control the Ark, which makes him pretty damn powerful. That aside, I’m totally lost, and I’m pretty sure the blame for that lies with the series and not me.

Defense Devil 66-67

[scanlation by I Eat Manga]

(66) … what the hell, cover page?

I’m not terribly interested in Y’s past, actually. Her introduction is too recent and her actions and motives are too trite for her to get this much attention.

Y stupidly frees herself from Kucabara’s rescue and chooses to fight (and lose to) the Naive Devils, forcing both Kucabara and Bichula to drop down and use full power (granted from Idamaria) to protect her, thereby nullifying the last couple chapters. I don’t mind the action at all, as it’s a welcome change, but I do mind that this plot choice means that all that pacifism just wasted our time.

(67) Is it possible to be tsundere about sniping?

Kucabara is the warrior/tank, Bichula is the scout/thief, Idamaria is the cleric/support, and now Y will be the rogue/sniper. (I’m not counting the damn talking/flying car.) When did this series become so formulaic?

When Luffy is oblivious and stupid, it’s classic. When Kucabara is oblivious and stupid, it’s cliché.

Her name is Samus? Seriously? How is that not on the international list of Names Never to Use?

Enigma 3

[scanlation by CXC Scans]

At first glance, Hasekura seems only to fulfill the role of the mandatory group coward, but his exact interpretation of such a role is amusing.

Excellent scene in the hallway, with Hasekura revealing his power to escape the incoming shadow. That was pretty thrilling for a scene in the third chapter.

Hilarious bad photo of Hasekura in his flashback, too. I’m enjoying this character so far.

Sumio is a decent protagonist, and his optimism and attitude clearly have him set up for an integral leadership position, but his “Mayday call” catchphrase just doesn’t cut it.

Wow, what a creepy moment. The man in picture changed from wearing a serious face to one with a horrific grin. I’m truly impressed.

Appropriately intriguing cliffhanger for the next chapter, too. Chapters like these give the series great hope for the future. Very well done.

Gamaran 64

[scanlation by helz0ne]

I was hoping for something a little more imaginative and exciting than “I will conquer the the country” for Jinsuke’s backstory. After tremendous hype for the 63 chapters leading up to his introduction, something this straightforward and overdone is a letdown.

It’s also unfortunate that so much of Jinsuke’s imposing aura is being built up by his subordinate’s internal monologue, rather than through Jinsuke finally taking action himself.

Gama’s rage upon hearing part of Jinsuke’s plan is good. Even if he is completely outclassed here by Ranmaru, his hatred of his father needs to be made evident from time to time.

There will be an actual demonstration of technique from Ranmaru next chapter, apparently. That should be more interesting than this chapter.

GE ~ Good Ending 52-53

[scanlation by iMangaScans]

(52) No more baseball, please.

In addition to “summer festival,” “natsu matsuri” also translates directly into “mandatory yukata fanservice opportunity.”

It’s logical for Oonuma to be at the festival as well, but it’s disappointing that she had to join with this group. There aren’t nearly enough moments alone between Seiji and Yuki anymore.

Yuki had her moment alone with Seiji many chapters ago, and Shou had hers recently, so now it’s Oonuma’s turn. Yawn.

(53) Finally, Seiji shows a little backbone. I don’t expect him to suddenly be a likable protagonist, but judging each important moment on its own worth, this is a good one.

… and that’s followed up with a pratfall and a sudden lack of clothing. Way to ruin a positive moment.

Oonuma is certainly taking her time in covering herself back up, too. At least she’s been written consistently since her character transformation, I suppose.

Once again, Izumi’s observations are spot on. His exchange with Oonuma was direct and provoked an interesting response from her, too.

Nice conversation between Eri and Kouno.

Yuki sees Seiji and Oonuma flustered and starts forming a reasonable assumption about what they were doing. We’re headed for more drama. I know that the “right” girl in a harem series always has the bulk of her romantic development saved for the end, but can’t Yuki have any?

Hayate no Gotoku! 290

[scanlation by reddevilshn]

Nagi’s thoughts are surprisingly complex. We knew she thought highly of herself, but “needing” to be a genius is a revelation about her character.

What a devilish cover page.

Ashibashi-sensei’s facial expression and Nagi’s reaction are both excellent. This is a surprisingly serious chapter.

The fact that Ashibashi only read one page of Nagi’s manga makes his earlier long pondering that much more telling. Excellent delivery.

Appropriate ending to a very nice chapter. The manga part of this storyline probably won’t matter too much longer, but I hope Nagi’s realization about her place in the world affects future storylines.

Katekyo Hitman Reborn! 308

[scanlation by Binktopia]

“It looks exactly like the sun!” Please feel free to stare directly at it for extended periods of time, then.

“Maximum Sunshine Counter” is about as bad of an attack name as Amano could have come up with.

A draw. This fight ends in a draw. This colossal and unprecedented waste of time and effort doesn’t even have the decency to end in a way beneficial to either side. Pathetic.

More Vongola Primo stuff. Moving on.

Somehow Katou Julie had the silhouette of Mukuro. That’s fractionally more interesting than the fight that just ended.

Kekkaishi 323-324

[scanlation by Binktopia]

(323) Raijin’s conversation with the earth god is an interesting one, and one that continues to portray her as a fascinating character.

Kakeru not only is resisting Oumi’s mind control, but also plays a vital role in Oumi’s plan. That’s a good twist for a character who shouldn’t be neglected.

Oumi’s ultimate plan is immensely disappointing. He’s gone from an intricate villain to yet another with a world-destruction plan.

(324) It’s so nice to finally see Tokine in action again.

Yuugami is a good character, and I like his interactions with Tokine, but something about the way his hair sits on his forehead irks the hell out of me, especially in the scene when he offers his help to Tokine. Weird.

Everyone receiving precisely designated tactics is a huge positive. The author has done an excellent job establishing unique characters, and here she is taking full advantage of their specific strengths and abilities. That said, my excitement is wholly reliant on each character following through with their assignments, the most important of which being Masamori killing Oumi.

Nurarihyon no Mago 123-124

[scanlation by ShinraTensei]

(123) Beautiful color page.

Nura’s masterful use of this new Matoi is impressive. It’s also a relief that it doesn’t seem like we’ll have to endure a training arc where he learns to use it properly.

The new Matoi enhances Nura’s existing Fear (and its related techniques), rather than replacing them. This is a very strong power, but I have to wonder how much of its future development relies on Nura improving, rather than just finding new members of his Hyakki Yakou to do it with.

(124) Of course they’re too late. The party is always late in stopping the cataclysmic event from starting, and stops it after it’s at full strength afterward. This is obvious, really.

A gigantic dark matter-baby is floating around and destroying buildings. If this was One Piece, I’d be begging for this to be cover story material after this arc ends.

Surely the Onmyouji are here to serve no purpose greater than losing to the Nue to make it look strong.

Psyren 136-137

[scanlation by Muda Scantrad]

(136) “There are billions of stars in space. For us to meet again on one of them, it sure is fate.” Well… maybe, but you did sort of kill billions of people on this planet, the planet where the two of you met. The chances weren’t exactly infinitesimal.

Nemesis Q and Amagi Miroku are siblings. I suppose that’s not as shocking as it seems; it’s a fairly common plot twist, and their hair color is rather similar.

I cannot overstate how much I appreciate the small comedic moment between Nemesis Q and Ageha (saving her when it was unnecessary) not being overdone. So many other series would have accompanied Ageha’s “Ah… my bad” with a ridiculous facial expression that would have been horrible out of place.

On the other hand, I’m not so sure I appreciate Ageha flying off into a rage as he activates his new Nova power. He hasn’t been written as that kind of a shonen hero; it’s a bit late to make him the temperamental type. At least his Nova looks cool, though.

(137) The way the new Melchsee’s Door is being drawn really accentuates its increase in power nicely.

Yes yes, dark is good and light is bad. You’ve switched them around. I see that.

The amount of dialogue in this fight breaks up the pacing of the action.

Miroku is dead within two chapters. I know Iwashiro is moving quickly towards the end of the series, but it took two chapters to kill off the only substantial villain of the series. Now we’re stuck with whatever aftermath results from his death, including the massive overflow of energy, whatever “new life” will be born that Miroku alluded to, and Mithra.

SWOT 11

[scanlation by Red Hawk Scanlations]

It’s time to read SWOT! Put on the Magnum P.I. theme song or something; we need anything moderately exciting to get us through this.

Toudou was aiming for the top for a dead friend. Even this shoddy villain gets the “he was just misunderstood” copout. Leave evil characters evil! I’m going to have to turn this into a campaign.

“I– It’s not like I did it for you or anything” has just cemented SWOT as the worst series of the year. More anti-accolades are forthcoming, I’m sure.

A maid café. Wow. Apparently all it takes to get a series published these days is a large enough hat to put every shonen stereotype in, to later pull out a few per chapter.

There isn’t even the pretense of this series being bound by natural laws anymore. If people can transform weapons and command nature in this universe, why didn’t we find out about it until now? For anyone who may try to answer that rhetorical question, “the author is hopelessly grasping at straws, trying to keep his series alive” is not an acceptable answer.

Apparently every girl in this series works at this one café.

The World God Only Knows 115

[scanlation by Red Hawk Scanlations]

It’s been fine for a couple chapters, but this blond devil working for the “old Hell” needs to take action soon or face irrelevance.

Thank goodness for Diana. Now that Keima is aware of the specific presence of a Goddess, the plot should move more quickly.

Kanon’s paranoia is excellent to watch. This series has disappointingly moved away from its strengths (short arcs featuring Keima capturing spirits) to uncharted territory with a long-term serious plot, but the tone of the series hadn’t yet made the switch. Apollo warning Kanon of constant imminent danger helps to legitimize the current plot.

Finally, the antagonist acts. This is about as genuinely scary as this series gets, and it’s an enjoyable change.

Kanon directly confronting Keima and confessing to remembering everything is fantastic. It saves us the time and agony of chapters of miscommunication.

Zettai Karen Children 232

[scanlation by JS Scans]

The heart attack medicine omake was hilarious.

This confrontation between Hyoubu and Yuuri, on the other hand, is less than exciting.

It makes sense for Kugutsu to control a fake Yuuri to cover up what’s happening, but I like that he’s been caught in the act.

Yuuri tricks her opponent’s brain into thinking that she has been wounded, and the body reacts as though it’s in pain… but the art shows a real wound with real blood? That’s a bit much to chalk up to artistic license. Representative artwork is fine, but that usually is done more effectively without the accompaniment of lengthy logistical explanation. Then again, representative artwork in general is a bit problematic (see Air Gear).

Feel that one or more of these series should be getting full-review treatment each week? Show your support by participating in chapter discussion in comments. Actively-discussed series will be considered for full reviews.