Shonen Beam

[scanlation by Hi Wa Mata Noboru]

Musings from Melk II on the brilliance and dedication shown by Komatsu’s knife are quickly interrupted by Komatsu’s other other knife (if you know what I mean), though sheathed. Meat-print underwear is, well… at least it’s not a meat-banana hammock. Oh, and he has knife-print undies too, though somehow I doubt wearing those would have flustered Melk II less.

He's the fanservice character, alright

Melk II, now alone, is thinking back to Komatsu’s naked body and blushing. Those who had theories about it being a woman under those bandages are gathering more and more evidence in their favor. Still, knowing this series, it could as easily be just Komatsu’s inherent cuteness.

Awkward underwear moments now out of the way, we’re back to Toriko, who has now reached a heavy enough gravity level that the blood circulation in his body is getting messed up, forcing more blood into his legs and making him anemic. As always, great attention to physical detail by Shimabukuro. Taking Komatsu’s knife along definitely seems to have been a good idea, as it manages to stab Toriko out of a half-conscious state.

The explanation of how Toriko’s body evolves to overcome gravity more than makes up for the “science” behind the higher gravity of the Gourmet World. The average reader is almost certain not to know this, but without electromagnetic forces within the human body, people would be ripped apart by differential gravitational forces from the Earth, as would the moon if it came within 2.9 Earth radii of Earth. Naturally, in order to overcome the increased differential force that comes with extra gravity, Toriko’s cells just need to vibrate faster, generating additional em force. Not only that, he starts rolling instead of walking to conserve energy. Being a human pinball is more painful, sure, but definitely takes less energy than the piston-like motion of walking. Superb physics.

Even without Komatsu actually being there, his knife, when dropped, leads to a treasure trove of rare but easily-killed ingredient crabs. Talk about a phenomenally lucky character. Not very lucky, though, for the Ruby Crabs, who just became Toriko’s next meal.

Like pirate treasure, but more delicious

Speaking of luck, Komatsu has now managed to have a walk-in bath scene in a series with formerly only 2 (now 3) female characters. Melk II is a woman, for anyone who didn’t see this coming. The “put on some clothes” line being reused, this time by Komatsu, is a nice bit of boomerang comedy.

Normally, that surprise goes the other way

Now fully charged from cannibalizing an entire ruby crab colony, Toriko readies himself to confront the minotaur beast we saw last chapter. Get ready for an entertaining fight.

Final Flash: Excellent chapter, and not just for the Komatsu/Melk comedy. Good to know this series actually cares about its physics.

[scanlation by Hi Wa Mata Noboru]

I have no idea what the natural orientation of Balbamoth heads is supposed to be, but I’m sure it’s not pretty. Toriko’s evidently disturbed a scorpion’s nest full of them, as they’re crawling out from alcoves everywhere.

Romance on the battlefield

The heavy gravity does handicap Toriko at the start of the fight, but he gradually compensates for his sluggish movements through a combination of careful observation and fighting experience. This analysis-based fighting style has been more characteristic of Toriko, despite his power-oriented moveset.

Just after Toriko gets used to dodging, the next challenge appears: a massive pile-on of Balbamoths. The panel with them all leaping feels part Lord of the Rings, part Eyeshield 21, and is certainly a lively one. How Toriko reacts to this situation is even more of a pleasent surprise; I don’t think I’ve seen him pull off 360 degree defense before. That’s a novel use for the fork.

Just don't fumble the ball, Sena

In true Toriko fashion, the Balbamoths were just scrap food for an even larger beast. I have to wonder what that crab-minotaur creature’s Capture Level is.

We shift back to Melk and Komatsu, who introduces a few more sharpening tricks, including the gradient whetstone, a 3-in-1 sharpening stone. It almost seems like something out of an infomercial. With all the inferiority Melk II keeps expressing in comparing himself to the original, I’m expecting something impressive when we finally meet the master. Maybe he can sharpen a boulder or something.

Oh boy, hot springs. We are setting ourselves up for some bromantic cuddling once Toriko gets back, aren’t we? The idea of Toriko having a hot springs episode is as hilarious as it is odd.

Sexy, sexy manservice

Final Flash: Toriko’s still fighting like a veteran, not at all relying on raw power to get him through the Heavy Hole. That’s quite encouraging.

[scanlation by Hi Wa Mata Noboru]

Melk II sure knows how to keep up appearances. What better way to have people assume you’re a muscled badass than to keep a Vampire Kong named Pochiko as a delivery pet.

Excellent sky-squid deterrent

Another flashback reveals that Komatsu actually chose to stay behind, opting to watch Melk work rather than go down the Heavy Hole with Toriko. This feels a little bit inconsistent with what’s been recently established, that both Komatsu and Toriko need each other to handle these more dangerous environments, and is frankly a bit disappointing.

To be fair, Toriko’s need for Komatsu is not being totally ignored; Toriko taking Komatsu’s knife and consciously acting with extreme caution is at least an acknowledgment of their partnership. Still, for their first arc since officially teaming up to feature Komatsu staying at some other guy’s house is something of a waste of potential.

At least we are getting some worthwhile exposition about knife sharpening the world of Toriko. When Melk starts getting knives out to sharpen them, we get a few mentions of the famous chefs who own them. More to the point, though, our artisan also mentions that he (or she – that point is still up in the air) makes a point of knowing what sort of person the user of a knife is before sharpening it. The whole dynamic of tailoring knives to the chef versus simply making good knives is a fascinating sidebar, and goes a long way towards establishing sharpening as a legitimate craft.

Maybe it's just a sign of your own artistic touch

With the serious part of Melk’s development done, now we move on to the more superpowered side. Apparently, knives in this world having .001 mm flaws in them, which is a standard manufacturing error in real life, is a significant problem. Melk glows while sharpening out said chinks with supersonic speed. Why not? It’s Toriko, after all.

In the end, it really does have to get back to Toriko, who is getting adjusted to the high gravity just in time for the native beasts of the Heavy Hole to begin noticing him. Be ready for an upcoming fight chapter.

Final Flash: Really just a world-building chapter, showcasing other chefs and the contrast between the first and second Melk’s approaches to sharpening.

[scanlation by Hi Wa Mata Noboru]

It looks like this isn’t the real Melk after all. The title page definitely seems to indicate that the real Melk is in fact super-buff like Toriko was expecting.

Toriko’s explanation of how he deduced that this Melk was fake is another reaffirmation that, while Komatsu may be better at observing ingredients, Toriko is no slouch in the brains department. The size thing wasn’t exactly easy to miss, but it’s pretty impressive that he didn’t just chalk up Melk’s youth to Gourmet Cell magic (as I did at first).

The shocking truth is that this Melk is the second generation disciple of the previous one. That’s not too surprising, really. Given that Melk knives have still been coming out without anybody noting a drop in quality, somebody had to have been doing it in the first generation’s stead.

Having finished the Century Soup continues to pay dividends for everyone’s favorite midget chef. It’s good to know this widespread recognition isn’t changing his personality at all. Classic impressed-by-everything Komatsu is one of the main linchpins that makes this series fun.

Some handle fame more smoothly than others

Komatsu’s knife taking three years to finish due to order backlogs is the kind of obstacle this series overcomes regularly enough. That segment is worth nothing aside from a quick Komatsu facial gag. Much more interesting is the notice Melk II takes in the blade of Komatsu’s old knife. We know Komatsu’s been handling his knife well, and this is just another way of indicating how impressive of a chef he is.

Melk I has been away hunting for the stardust for six years, and now Toriko’s going to go retrieve him and the stardust in exchange for getting Komatsu’s knife faster. That neatly wraps up the three main plots of this arc: finding old Melk, finding the stardust, and getting Komatsu’s knife. Given the fact that this arc is very marginally relevant to the main plot, I appreciate that it’s going to be handled with appropriate brevity.

We close by introducing a new environment: the Heavy Hole, a super-gravity cavern. Considering that Toriko recently dealt with something similar in the gourmet world’s enhanced gravity and got his tail whipped, he’s going to have to step up his game just to get to the bottom. As a side note, the sequence of panels with the dinosaur struggling to get up is a pretty effective way to show off truly crushing amounts of gravity. Not only can’t he get up, he’s actually sinking into solid rock. That’s an appropriately intimidating introduction.

Should have done more Pilates

Final Flash: Heavily an exposition chapter, but the Heavy Hole looks promising.